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Lambert Krahe
Wilhelm Lambert Krahe (15 March 1712, Düsseldorf - 2 November 1790, Düsseldorf) was a German history painter and art collector.
== Life ==
He was the son of a government clerk. Nothing is known of his early education. He found a patron in Ferdinand von Plettenberg, who took Krahe along when he was appointed Imperial Envoy to the Papal Court in 1736. When Plettenberg died suddenly in 1737, Krahe found support from the German Jesuits. He is also said to have worked in the studios of Marco Benefial and Pierre Subleyras.〔(''Lambert Krahe und die Kunstakademie Düsseldorf'' ), Artikel im Portal ''smkp.de'' des Museums Kunstpalast, abgerufen am 24. Juni 2013〕 His patrons at that time included Cardinal Alessandro Albani and Johann Joachim Winckelmann. In 1749, upon the recommendation of Silvio Valenti Gonzaga, the Cardinal Secretary of State, he was pensioned to Charles Theodore, Elector of Bavaria, on whose behalf he painted altarpieces for the Jesuit Church in Mannheim. In 1756, he became head of the Düsseldorf Art Gallery.〔Ekkehard Mai: ''Die Düsseldorfer Kunstakademie im 19. Jahrhundert – Cornelius, Schadow und die Folgen''. In: Gerhard Kurz (Hrsg.): ''Düsseldorf in der deutschen Geistesgeschichte'', Verlag Schwann-Bagel, Düsseldorf 1984, ISBN 3-590-30244-5, S. 201〕〔Klaus Müller: ''Unter pfalz-neuburgischer und pfalz-bayerischer Herrschaft.'' In: Hugo Weidenhaupt (Hrsg.): ''Düsseldorf. Geschichte von den Ursprüngen bis ins 20. Jahrhundert.'' Schwann im Patmos Verlag, Düsseldorf 1988, ISBN 3-491-34222-8, S. 267〕 Later, the Elector appointed him to oversee the creation of new galleries in Mannheim and Munich. In 1761, he was commissioned to paint ceilings in the library and ballrooms at Schloss Benrath.〔Johann Georg von Vierbahn, in: ''Topographie des Regierungsbezirks Düsseldorf, Erster Teil'', 1836, S. 284.〕 He started an art school in 1762. Eleven years later, his school was designated the "Electorate of the Palatinate Painting, Sculpture and Architecture Academy" (later, the Kunstakademie Düsseldorf) and Krahe became its first Director. In his last years, an eye ailment prevented him from painting.
The Classical architect Peter Joseph Krahe was his son. Moritz Kellerhoven was one of his best-known students.
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